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Renoir is inspired to paint "Luncheon of the boating party" when his other work is criticized by Emile Zola, and while doing so is drawn into lives of the thirteen people featured in it as they enjoy a Parisian summer during the late 1800s.

"Tells the story of the first truly modern artistic movement, focusing on five of its most important practitioners, Renoir, Monet,Degas, Pissarro, and Morisot. Their determination to remain true to their convictions--and the price they paid as a result--is vividly captured in their own words, taken from letters and diaries, while the world's foremost authorities offer fascinating insights into their lives and work"--Container.

This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde,...

"Throughout his long working life, Pierre-Auguste Renoir (1841-1919) produced large-format portraits and subject pictures. From the mid-1870s to the mid-1880s--the decade of Impressionism--his vertical, grand-scale canvases were among the artist's most daring and ambitious presentations of contemporary life and fashion. Today they rank among the masterpieces of Impressionism. This stunning book offers fresh insights into Renoir's complex ambitions...